On Sunday 3 March, Kaaitheater in Brussels is showing Route 181: Fragments of a Journey in Palestine-Israel by Eyal Sivan and Michel Khleifi. The film will be shown in the context of Refusing to Disappear, a series of decentralised film screenings and discussions organised by United Screens for Palestine, held in different cities and venues across Belgium to celebrate the rich legacy of Palestinian storytelling through films.

From 29 February to 20 March, Eye Filmmuseum in Amsterdam will screen an extensive retrospective of French filmmaker Claire Denis.

Na tien edities verdwijnt de internationaal gerenommeerde Contour Biënnale voor Bewegend Beeld. De sector van de audiovisuele en beeldende kunsten is een petitie gestart om het verdwijnen van de biënnale te voorkomen.

After ten editions, the internationally renowned Contour Biennial of Moving Images is now slated to disappear. The audiovisual arts sector launched a petition to avert its cancellation.

On Wednesday 21 February, the universities of Ghent, Antwerp, and Namur are collaborating to present a two-day symposium on post-war Belgian cinema. In collaboration with CINEMATEK, five film screenings have also been curated, all of which will be introduced by symposium participants.

From 14 February to 10 March, the Cinémathèque française in Paris is hosting an extensive retrospective of Boris Barnet, one of the most notable figures of Soviet cinema.

Na Fantômas stopt ook het filmtijdschrift Humbug, dat voor het eerst verscheen in 2021, met haar printedities.

From 20 February until 14 May, Cinema RITCS (with the support of UAB (Universitaire Associatie Brussel)), presents ‘The Power of Belgian Cinema’, an assortment of 11 lectures in English by 11 Belgian film scholars on important movements, films, filmmakers in the moving history of Belgian cinema.

Cinema Scope’s editor-in-chief Mark Peranson announced the closure of the Canadian journal.

The 5th edition of Festival En ville! will take place in Brussels cinemas from 29 January to 4 February 2024.